![]() There has been no dearth of new titles dropping on platforms. But as of September, when most production work has resumed after the long gap, the calendar has stayed steady. At some point, the vacuum from no on-floor shoots might emerge. Far too many artists have perished, but art has survived. Sports had dried up, would films follow suit?Īs it turns out, the show did go on. April came with the uncertainty of not knowing whether the Indian film and OTT ecosystems had banked enough content to entertain a shell-shocked country for the foreseeable future. High-profile releases just around the corner – Rohit Shetty’s Sooryavanshi, Kabir Khan’s 83 – were indefinitely postponed. ![]() ![]() It feels like just yesterday cinema halls closed their doors a week before India’s first lockdown in March. ![]()
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